Broken News
Link: https://www.newslaundry.com/2020/05/07/pulitzer-reminder-to-indias-media-always-tell-the-stories-the-powerful-dont-want-told
As long as these stories continue to
be told, there’s hope that the media in this country has not dug its own grave.
Once
again, Kashmir is in the news. For all the right reasons. And the wrong ones
too.
When the Pulitzer Prize winners for 2020 were declared in New York on May 5,
the big news for India was the choice of three photojournalists from Jammu and
Kashmir, Dar
Yasin, Mukhtar Khan and Channi Anand, all working for the Associated Press. They were commended
for their photographs taken after India abrogated Kashmir's special status on
August 5, 2019.
Apart
from the fact that all three are outstanding photographers, the significance of
their photographs was that they revealed to us in
India, and the world, the blatant untruth in the official narrative.
We were
asked to believe that there was no real opposition to the Indian government's
actions. Countering this proved a herculean task for the media given that the
government had clamped down hard, shut off the internet and phones, both mobile
and terrestrial, and placed the entire region under curfew. Under these
circumstances, it was remarkable that information did get out, with
Kashmir-based journalists using a variety of strategies to get their stories
out.
Photographers
were even more challenged, as it was impossible for them to transmit their
images without access to broadband. Yet, these three and others succeeded.
Those that worked for international news agencies were more fortunate as their
organisations were willing to pay for them to either fly down to Delhi to file
or upload their pictures. Many of them requested passengers travelling to Delhi
to carry their flash drives and memory cards with the images.
The
images that succeeded in getting out, such as those for which these three
photographers have been honoured, told the other story, one that the Indian
government would have preferred remained unrecorded. This is their real
significance; they are an unimpeachable record of those days, with each picture
literally speaking more than a thousand words.
Anyone
who views these images dispassionately cannot but be moved. But in the vitiated
politics of today, rather than congratulating the photographers, and
celebrating their professionalism and bravery, BJP leaders and their followers
used the occasion to engage in the usual whataboutery on Twitter, asking why
these photographs and not others, of Indian soldiers and their grieving
families for instance, were recognised.
The use
of the term "India controlled Kashmir" in the captions and a wrongly
worded reference in the citation about Kashmir's "independence" being
revoked on August 5 sparked another row. The photographers were called
"anti-national" for projecting India in a "bad light". Another suggested that the Booker Prize,
which Arundhati Roy won, the Pulitzer and the Magsaysay, won by Ravish Kumar,
should all be banned because they were "rigged to support the anti-India
narrative”.
And,
predictably the volume of the diatribe grew exponentially once Rahul Gandhi
decided to congratulate the photographers.
It is
evident that the professionalism of journalists or photographers simply doing
their jobs under difficult circumstances just cannot be appreciated by people
averse to any other political perspective barring their own.
Be that
as it may, the Pulitzer is a recognition that is well deserved, and certainly a
shot in the arm for all journalists working in Jammu and Kashmir under
challenging conditions that are not transitory, but virtually permanent. Even
as I write this, internet and mobile phone connectivity has again been snapped
with the recent uptick in gunfights between security forces and militants.
Those
covering the Covid-19 pandemic do not face the kind of daily challenges faced
by journalists in Kashmir, but for them too there are hurdles. The story is not
an easy one to tell when it consists of numbers and figures on the one hand and
tragic personal stories on the other.
By now,
the average reader's eyes would be glazing over at the daily headlines of how
many more positive cases have been recorded, and how many deaths. These numbers
have to be reported – more so after the diktat by the Supreme Court that the
media "must" publish the official version. But this daily dose of statistics can
sometimes obscure the real problems on the ground. For instance, the dangers
facing frontline workers without adequate safety gear, the quality of the
protective gear that India is trying to procure, the attitude of private
hospitals in accommodating infected people, the shortages of beds, the unsatisfactory
nature of testing, the daily struggles of the urban poor to access healthcare.
It is
commendable that some in print and digital media, as well as television, have
continued to report such stories and, thereby, exposed the real situation on
the ground beyond statistics. A pandemic after all is the story of the lives of
people, their fears and anxieties, their ability or inability to access
healthcare. Unfortunately, the government still prefers to talk about
"positive" and "negative" reports, failing to understand
that the media's job is not to project one or the other, but to tell it as it
is.
And that
is the other uncomfortable reality that the government just cannot turn its
face away from because of the media's continuous and determined coverage of the
migrant workers story. It has not ended yet, nor will it disappear for some
time to come.
We still
see hundreds of them setting out on foot with their meagre belongings, men,
women, children, determined to traverse hundreds of kilometres. Every story
speaks of hopelessness and desperation.
We have
also read the stories of hope and heartbreak when the government finally
announced, after extending the national lockdown on May 3 by two weeks, that it
would arrange trains to take migrants to their home states.
There
again, had it not been for the detailed reports in the media that revealed that
migrants were not only being charged for the journey, but were also being
fleeced by local doctors for the mandatory medical certificate they needed
before boarding the trains, the government could have got away with pretending
it was doing the migrants a great favour. Only after Congress president Sonia
Gandhi offered to pay for the migrants to travel home was there a mad scramble
to cover up with more obfuscation about railway subsidies and that 15 percent
of the cost was supposed to be borne by state governments. Once again, the
record stands in black and white. Thousands of migrants were issued tickets and
they paid for them with borrowed funds.
The
latest turn in the migrant workers story is even more ghastly: the Karnataka
government has decided to stop them from leaving because the local construction
industry wants labour to restart projects. It is as if these migrant workers
are non-people, slaves who can be put to any task by their masters. That they
chose to leave because they had not been paid and did not wish to continue
living in pitiable conditions is not acknowledged.
Visit any
construction site in the country. You will be horrified at the way workers
live, not for a week or two, but for months, even years on end. If after
virtually starving for weeks, they pack their bags and leave, should their
decision not be respected? How can a government decide otherwise? Are these not citizens with a free choice
about where they work, where they live, and how they live? How have we come to such a pass that we can
actually contemplate treating fellow citizens in this way?
These fault lines in our society, callous governments and an
indifferent society that has virtually invisibilised millions of Indian
citizens have to be recorded and reported by the media. As long as these
stories continue to be told, despite the pressures to under-report or not
report at all, there is some hope that the media in this country has not dug
its own grave.
1 comment:
The three photojournalists from J & K who have won Pulitzer Prize are professionals first and photographers next. It is the devotion and dedication over their duty coupled with professional integrity that make them work without fear and favour. The determination to unravel has dismembered the hostile ground reality and their sincerity and honesty converted the work done into deeds. This made them true Professional beyond what qualifications can deliver.
In the life of the three, Professionalism is a choice and integrity is their way of life. Our Kudos to the trio.
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